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This book investigates the spaces of interaction between Portuguese and Brazilian modernists--specifically Oswald de Andrade, Augusto de Campos and Haroldo de Campos, Ronald de Carvalho, Ant�nio Ferro, Fernando Pessoa, M�rio de S�-Carneiro--and their interpretation of nation. Most importantly, the way in which their work echoes and transfigures the Ulysses myth, to be term This book investigates the spaces of interaction between Portuguese and Brazilian modernists--specifically Oswald de Andrade, Augusto de Campos and Haroldo de Campos, Ronald de Carvalho, Ant�nio Ferro, Fernando Pessoa, M�rio de S�-Carneiro--and their interpretation of nation. Most importantly, the way in which their work echoes and transfigures the Ulysses myth, to be termed Portuguese Ulyssism by Brazilian Gilberto Freyre in his reading of Lu�s Vaz de Cam�es's epic poem The Lusiads, is analyzed, underlining the presence of a postcolonial Ulysses in the Lusophone world. The trope of the shipwreck is central to the creative production of these Atlantic modernists who, outside of their respective national literatures, interact beyond the territories of nation-states through texts on exile, national identity, and colonialism. In addition to the renowned The Lusiads, the texts studied include two issues of the Luso-Brazilian quarterly Orpheu (1915) and Ant�nio Ferro's contributions to Brazil's Klaxon (1922, in celebration of the centenary of Brazil's political independence from Portugal); Oswald de Andrade's Anthropophagic Manifesto (1928) and an unpublished letter to Ferro; Fernando Pessoa's poem "Ulysses" in Message (1934); and Haroldo de Campos's Galaxies (1984) and "Finismundo: The Last Voyage" (1997). In A Postcolonial Ulysses in the Lusophone World, relocations and transfigurations of the Ulysses myth inform a dialogue between the modernists of Portugal and Brazil through texts on exile, national identity, and colonialism.


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This book investigates the spaces of interaction between Portuguese and Brazilian modernists--specifically Oswald de Andrade, Augusto de Campos and Haroldo de Campos, Ronald de Carvalho, Ant�nio Ferro, Fernando Pessoa, M�rio de S�-Carneiro--and their interpretation of nation. Most importantly, the way in which their work echoes and transfigures the Ulysses myth, to be term This book investigates the spaces of interaction between Portuguese and Brazilian modernists--specifically Oswald de Andrade, Augusto de Campos and Haroldo de Campos, Ronald de Carvalho, Ant�nio Ferro, Fernando Pessoa, M�rio de S�-Carneiro--and their interpretation of nation. Most importantly, the way in which their work echoes and transfigures the Ulysses myth, to be termed Portuguese Ulyssism by Brazilian Gilberto Freyre in his reading of Lu�s Vaz de Cam�es's epic poem The Lusiads, is analyzed, underlining the presence of a postcolonial Ulysses in the Lusophone world. The trope of the shipwreck is central to the creative production of these Atlantic modernists who, outside of their respective national literatures, interact beyond the territories of nation-states through texts on exile, national identity, and colonialism. In addition to the renowned The Lusiads, the texts studied include two issues of the Luso-Brazilian quarterly Orpheu (1915) and Ant�nio Ferro's contributions to Brazil's Klaxon (1922, in celebration of the centenary of Brazil's political independence from Portugal); Oswald de Andrade's Anthropophagic Manifesto (1928) and an unpublished letter to Ferro; Fernando Pessoa's poem "Ulysses" in Message (1934); and Haroldo de Campos's Galaxies (1984) and "Finismundo: The Last Voyage" (1997). In A Postcolonial Ulysses in the Lusophone World, relocations and transfigurations of the Ulysses myth inform a dialogue between the modernists of Portugal and Brazil through texts on exile, national identity, and colonialism.

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