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Perception and Cognition of Music

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This text comprises of reviews of work relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological. The reviews were selected from papers submitted at the Third International Conference on Music Perception and Cognition Liege 1994 to illustrate the wide range of perspectives now being adopted in study This text comprises of reviews of work relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological. The reviews were selected from papers submitted at the Third International Conference on Music Perception and Cognition Liege 1994 to illustrate the wide range of perspectives now being adopted in studying how humans make and respond to music. The book is divided ino five sections. The first part illustrates the role of analysis and ethnomusicology in understanding cultural determinants of musical behaviour. The second part charts what is known about aquisition of musical competence, from pre-birth through to the expert performer. The evidence accumulated about specific areas of the brain which control musical thinking and behaviour is examined in Part Three. The fourth part examines how neurological, behavioural and artificial intelligence approaches are converging to shed light on processes in auditory perception. Finally, Part Five highlights the important developments in how we conceptualize the way in which musical structures are represented in the mind.


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This text comprises of reviews of work relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological. The reviews were selected from papers submitted at the Third International Conference on Music Perception and Cognition Liege 1994 to illustrate the wide range of perspectives now being adopted in study This text comprises of reviews of work relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological. The reviews were selected from papers submitted at the Third International Conference on Music Perception and Cognition Liege 1994 to illustrate the wide range of perspectives now being adopted in studying how humans make and respond to music. The book is divided ino five sections. The first part illustrates the role of analysis and ethnomusicology in understanding cultural determinants of musical behaviour. The second part charts what is known about aquisition of musical competence, from pre-birth through to the expert performer. The evidence accumulated about specific areas of the brain which control musical thinking and behaviour is examined in Part Three. The fourth part examines how neurological, behavioural and artificial intelligence approaches are converging to shed light on processes in auditory perception. Finally, Part Five highlights the important developments in how we conceptualize the way in which musical structures are represented in the mind.

32 review for Perception and Cognition of Music

  1. 5 out of 5

    Shiuli Maity

  2. 5 out of 5

    Gabrielle Deschamps

  3. 4 out of 5

    Meylan

  4. 4 out of 5

    J. Eliot

  5. 4 out of 5

    Patricia

  6. 5 out of 5

    Marysia CheĊ‚kowska

  7. 4 out of 5

    Edward Cameron

  8. 5 out of 5

    Diane Hill

  9. 5 out of 5

    Thomas Hunter

  10. 4 out of 5

    Lily Buckland

  11. 4 out of 5

    Peter Lawrence

  12. 4 out of 5

    Angela Greene

  13. 5 out of 5

    Alan Davies

  14. 5 out of 5

    Ava Rampling

  15. 4 out of 5

    Christopher Wallace

  16. 5 out of 5

    Neil Duncan

  17. 4 out of 5

    Jake Bower

  18. 4 out of 5

    Austin Hemmings

  19. 5 out of 5

    Victoria Graham

  20. 5 out of 5

    Andrew Mackenzie

  21. 5 out of 5

    Jake Miller

  22. 4 out of 5

    Brian Hemmings

  23. 5 out of 5

    Faith May

  24. 5 out of 5

    Liam Avery

  25. 5 out of 5

    Oliver King

  26. 4 out of 5

    Emily Pullman

  27. 5 out of 5

    Caroline Black

  28. 4 out of 5

    Alexandra Burgess

  29. 5 out of 5

    Austin Baker

  30. 5 out of 5

    Bella Thomson

  31. 5 out of 5

    Grace Gill

  32. 4 out of 5

    Oliver Burgess

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