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Dating Your Character: A Sexy Guide to Screenwriting for Film and TV

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Dating Your Character: A Sexy Guide to Screenwriting for Film and TV is based on the principle that interesting characters actually are co-creators in the writing process. It's organized into some of the standard stages in an evolving, romantic relationship, launched by a couple of chapters that encourage you to take some personal inventory: - Casting Your Ideal Character Dating Your Character: A Sexy Guide to Screenwriting for Film and TV is based on the principle that interesting characters actually are co-creators in the writing process. It's organized into some of the standard stages in an evolving, romantic relationship, launched by a couple of chapters that encourage you to take some personal inventory: - Casting Your Ideal Character - The Meet Cute - The First Date - Serious Dating - Moving In Together - The First Fight - Making A Commitment - Hitched Or Ditched On the way to a kind of trust and growing intimacy, the structure of the book traces the first flush of excitement, any awkward hiccups in communication, and the recognition and reconciliation of your different POVs. Most books approach character development using a winnowing process involving general categorization and list-making. But, not much in the way of a truly in-depth synthesis of the collage of "facts" in the character's biography. The DYC method doesn't start from the outside in. It doesn't layer physical descriptions onto archetypal outlines, then color in the flaws and motivation to make that thumbnail sketch more personal. DYC focuses on the importance of the individuality of characters: their eccentricity, drive, and relative "basis in fact" - inspired in part by people you know or you yourself.


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Dating Your Character: A Sexy Guide to Screenwriting for Film and TV is based on the principle that interesting characters actually are co-creators in the writing process. It's organized into some of the standard stages in an evolving, romantic relationship, launched by a couple of chapters that encourage you to take some personal inventory: - Casting Your Ideal Character Dating Your Character: A Sexy Guide to Screenwriting for Film and TV is based on the principle that interesting characters actually are co-creators in the writing process. It's organized into some of the standard stages in an evolving, romantic relationship, launched by a couple of chapters that encourage you to take some personal inventory: - Casting Your Ideal Character - The Meet Cute - The First Date - Serious Dating - Moving In Together - The First Fight - Making A Commitment - Hitched Or Ditched On the way to a kind of trust and growing intimacy, the structure of the book traces the first flush of excitement, any awkward hiccups in communication, and the recognition and reconciliation of your different POVs. Most books approach character development using a winnowing process involving general categorization and list-making. But, not much in the way of a truly in-depth synthesis of the collage of "facts" in the character's biography. The DYC method doesn't start from the outside in. It doesn't layer physical descriptions onto archetypal outlines, then color in the flaws and motivation to make that thumbnail sketch more personal. DYC focuses on the importance of the individuality of characters: their eccentricity, drive, and relative "basis in fact" - inspired in part by people you know or you yourself.

15 review for Dating Your Character: A Sexy Guide to Screenwriting for Film and TV

  1. 4 out of 5

    Teri Temme

    Fantastic exercises and I bet you learn something about yourself too! Can’t wait for the workshop 😉

  2. 4 out of 5

    Angela Grey

  3. 4 out of 5

    John

  4. 5 out of 5

    Mackenzie

  5. 4 out of 5

    Zoe Z

  6. 5 out of 5

    Evee Telfar

  7. 5 out of 5

    Joni

  8. 5 out of 5

    Brian Hathaway

  9. 4 out of 5

    Katrina Brown

  10. 5 out of 5

    Simone Blake

  11. 5 out of 5

    Courtney Robeson

  12. 5 out of 5

    Stephanie Gibbard

  13. 4 out of 5

    Nicole

  14. 4 out of 5

    Marie Roughan

  15. 4 out of 5

    Jana

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