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Baroque Music: A Practical Guide for the Performer

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Professional and amateur musicians will appreciate this clear, readable guide to the music of Bach, Handel, Vivaldi, Telemann, and other Baroque composers. Author Victor Rangel-Ribeiro draws upon the writings of C. P. E. Bach, J. J. Quantz, G. P. Telemann, Francesco Geminiani, Leopold Mozart, and Giuseppe Tartini to offer advice on the difficult aspects of eighteenth-centu Professional and amateur musicians will appreciate this clear, readable guide to the music of Bach, Handel, Vivaldi, Telemann, and other Baroque composers. Author Victor Rangel-Ribeiro draws upon the writings of C. P. E. Bach, J. J. Quantz, G. P. Telemann, Francesco Geminiani, Leopold Mozart, and Giuseppe Tartini to offer advice on the difficult aspects of eighteenth-century German, Italian, and English masterworks. Advancing from relatively simple material to more complex works, this guide begins by outlining the problems inherent in Baroque performance. Subsequent chapters examine ornamentation and the principles of "figured bass," applying them to various types of works, including keyboard concertos and vocal music. An epilogue sheds new light on a highly complex rhythmic issue, and the appendices present three unfamiliar examples of ornamentation. Profusely illustrated with musical examples, this volume was praised by violinist and conductor Yehudi Menuhin for its "readable and engaging style, free from the pedantic, overly scholarly approach."


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Professional and amateur musicians will appreciate this clear, readable guide to the music of Bach, Handel, Vivaldi, Telemann, and other Baroque composers. Author Victor Rangel-Ribeiro draws upon the writings of C. P. E. Bach, J. J. Quantz, G. P. Telemann, Francesco Geminiani, Leopold Mozart, and Giuseppe Tartini to offer advice on the difficult aspects of eighteenth-centu Professional and amateur musicians will appreciate this clear, readable guide to the music of Bach, Handel, Vivaldi, Telemann, and other Baroque composers. Author Victor Rangel-Ribeiro draws upon the writings of C. P. E. Bach, J. J. Quantz, G. P. Telemann, Francesco Geminiani, Leopold Mozart, and Giuseppe Tartini to offer advice on the difficult aspects of eighteenth-century German, Italian, and English masterworks. Advancing from relatively simple material to more complex works, this guide begins by outlining the problems inherent in Baroque performance. Subsequent chapters examine ornamentation and the principles of "figured bass," applying them to various types of works, including keyboard concertos and vocal music. An epilogue sheds new light on a highly complex rhythmic issue, and the appendices present three unfamiliar examples of ornamentation. Profusely illustrated with musical examples, this volume was praised by violinist and conductor Yehudi Menuhin for its "readable and engaging style, free from the pedantic, overly scholarly approach."

30 review for Baroque Music: A Practical Guide for the Performer

  1. 4 out of 5

    Amy

    Very good book for the serious musician, but it's not for a recreational reader. Very good book for the serious musician, but it's not for a recreational reader.

  2. 5 out of 5

    Lenka Bozeticka

  3. 4 out of 5

    Kylie Peake

  4. 5 out of 5

    Dmitrii Prokofiev

  5. 4 out of 5

    Mitesh Jain

  6. 4 out of 5

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  7. 5 out of 5

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  8. 4 out of 5

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  9. 4 out of 5

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  10. 4 out of 5

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  11. 4 out of 5

    Danielle Potter

  12. 5 out of 5

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  13. 4 out of 5

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  14. 5 out of 5

    SALLY WHITE

  15. 5 out of 5

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  16. 4 out of 5

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  17. 4 out of 5

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  18. 4 out of 5

    Cheryl Bradley

  19. 4 out of 5

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  20. 4 out of 5

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  21. 5 out of 5

    Melly Mel

  22. 5 out of 5

    Ms. Reader

  23. 5 out of 5

    Sarah Taylor-Cruz

  24. 4 out of 5

    Brooke

  25. 5 out of 5

    Daniel Muscat

  26. 5 out of 5

    Dianne

  27. 4 out of 5

    Emma

  28. 4 out of 5

    Jenna Richardson

  29. 5 out of 5

    Hazel

  30. 4 out of 5

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