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The Light of Other Days, Vol. 2 of 2: Seen Through the Wrong End of an Opera Glass (Classic Reprint)

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Excerpt from The Light of Other Days, Vol. 2 of 2: Seen Through the Wrong End of an Opera Glass At Marseilles, Mario found friends who advised him to go to Paris rather than to Spain, as he had originally intended when leaving Genoa. The lines diverge. It was not yet intended by fate, luck, or whatever mysterious power might be believed to have influenced their movements. Tha Excerpt from The Light of Other Days, Vol. 2 of 2: Seen Through the Wrong End of an Opera Glass At Marseilles, Mario found friends who advised him to go to Paris rather than to Spain, as he had originally intended when leaving Genoa. The lines diverge. It was not yet intended by fate, luck, or whatever mysterious power might be believed to have influenced their movements. That the two should see each other. Giulia Grisi had already sung with great success in Italy. After making her d�but at Bologna (strange to say in the contralto part of Emma in Rossini's opera Zelmira she had appeared at Florence and then at Milan, her native city. At the famous theatre, La Scala, in Milan, she had created a furore, and had turned the scale in favour Of an opera for ever afterwards to be identified with her name. The first night it was performed Norma trembled in the balance of public opinion, although Pasta was the heroine. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


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Excerpt from The Light of Other Days, Vol. 2 of 2: Seen Through the Wrong End of an Opera Glass At Marseilles, Mario found friends who advised him to go to Paris rather than to Spain, as he had originally intended when leaving Genoa. The lines diverge. It was not yet intended by fate, luck, or whatever mysterious power might be believed to have influenced their movements. Tha Excerpt from The Light of Other Days, Vol. 2 of 2: Seen Through the Wrong End of an Opera Glass At Marseilles, Mario found friends who advised him to go to Paris rather than to Spain, as he had originally intended when leaving Genoa. The lines diverge. It was not yet intended by fate, luck, or whatever mysterious power might be believed to have influenced their movements. That the two should see each other. Giulia Grisi had already sung with great success in Italy. After making her d�but at Bologna (strange to say in the contralto part of Emma in Rossini's opera Zelmira she had appeared at Florence and then at Milan, her native city. At the famous theatre, La Scala, in Milan, she had created a furore, and had turned the scale in favour Of an opera for ever afterwards to be identified with her name. The first night it was performed Norma trembled in the balance of public opinion, although Pasta was the heroine. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

1 review for The Light of Other Days, Vol. 2 of 2: Seen Through the Wrong End of an Opera Glass (Classic Reprint)

  1. 4 out of 5

    Tracy Reed

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