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Digital Design Theory: Readings from the Field

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Digital Design Theory bridges the gap between the discourse of print design and interactive experience by examining the impact of computation on the field of design. As graphic design moves from the creation of closed, static objects to the development of open, interactive frameworks, designers seek to understand their own rapidly shifting profession. Helen Armstrong's car Digital Design Theory bridges the gap between the discourse of print design and interactive experience by examining the impact of computation on the field of design. As graphic design moves from the creation of closed, static objects to the development of open, interactive frameworks, designers seek to understand their own rapidly shifting profession. Helen Armstrong's carefully curated introduction to groundbreaking primary texts, from the 1960s to the present, provides the background necessary for an understanding of digital design vocabulary and thought. Accessible essays from designers and programmers are by influential figures such as Ladislav Sutnar, Bruno Munari, Wim Crouwel, Sol LeWitt, Muriel Cooper, Zuzana Licko, Rudy VanderLans, John Maeda, Paola Antonelli, Luna Maurer, and Keetra Dean Dixon. Their topics range from graphic design's fascination with programmatic design, to early strivings for an authentic digital aesthetic, to the move from object-based design and to experience-based design. Accompanying commentary assesses the relevance of each excerpt to the working and intellectual life of designers.


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Digital Design Theory bridges the gap between the discourse of print design and interactive experience by examining the impact of computation on the field of design. As graphic design moves from the creation of closed, static objects to the development of open, interactive frameworks, designers seek to understand their own rapidly shifting profession. Helen Armstrong's car Digital Design Theory bridges the gap between the discourse of print design and interactive experience by examining the impact of computation on the field of design. As graphic design moves from the creation of closed, static objects to the development of open, interactive frameworks, designers seek to understand their own rapidly shifting profession. Helen Armstrong's carefully curated introduction to groundbreaking primary texts, from the 1960s to the present, provides the background necessary for an understanding of digital design vocabulary and thought. Accessible essays from designers and programmers are by influential figures such as Ladislav Sutnar, Bruno Munari, Wim Crouwel, Sol LeWitt, Muriel Cooper, Zuzana Licko, Rudy VanderLans, John Maeda, Paola Antonelli, Luna Maurer, and Keetra Dean Dixon. Their topics range from graphic design's fascination with programmatic design, to early strivings for an authentic digital aesthetic, to the move from object-based design and to experience-based design. Accompanying commentary assesses the relevance of each excerpt to the working and intellectual life of designers.

30 review for Digital Design Theory: Readings from the Field

  1. 4 out of 5

    Bob

    Very cool stuff.

  2. 4 out of 5

    Carlos Mueses

    Outside of my area of expertise but I loved this book.

  3. 5 out of 5

    Janis Godins

    "Designing is not a profession but an attitude." /Lázló Moholy-Nagy/ "Designing is not a profession but an attitude." /Lázló Moholy-Nagy/

  4. 4 out of 5

    Antony Filho

  5. 4 out of 5

    Sarah McLean

  6. 5 out of 5

    Marija Stevković

  7. 5 out of 5

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  8. 5 out of 5

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  9. 5 out of 5

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  10. 4 out of 5

    Peter Auwera

  11. 4 out of 5

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  12. 4 out of 5

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  13. 5 out of 5

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  14. 4 out of 5

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  15. 5 out of 5

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  16. 5 out of 5

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  17. 5 out of 5

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  18. 4 out of 5

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  19. 4 out of 5

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  20. 4 out of 5

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  21. 5 out of 5

    Alfia

  22. 4 out of 5

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  23. 4 out of 5

    Jeremy Billauer

  24. 5 out of 5

    Jarrett Fuller

  25. 4 out of 5

    Amelia

  26. 4 out of 5

    Lindsay

  27. 5 out of 5

    Carley Hodgkinson

  28. 5 out of 5

    sung-il

  29. 4 out of 5

    Jennifer

  30. 5 out of 5

    Evgeniya Molodetskaya

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