The Republic of Bad Taste
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Abe Aamidor –
Shockingling weak, even amateurish short story. Compare it to Adam Johnson's work on North Korea - Franzen looks like he's read a couple of newspaper articles about the latter days of East Germany, and that's all. Nothing feels authentic about the locale. The love story is absurd, not in the sense that love can be irrational, but it just happens in this story, we're just told about it, violating the rule "show me, don't tell me." Franzen just tells us love has happened. He tells us a girl is bea Shockingling weak, even amateurish short story. Compare it to Adam Johnson's work on North Korea - Franzen looks like he's read a couple of newspaper articles about the latter days of East Germany, and that's all. Nothing feels authentic about the locale. The love story is absurd, not in the sense that love can be irrational, but it just happens in this story, we're just told about it, violating the rule "show me, don't tell me." Franzen just tells us love has happened. He tells us a girl is beautiful, but not how so. And he telegraphs the overall ending - it's a twentysomething guy falling for a 15-year-old girl, and of course in two years (a lifetime for her) the man will mean nothing. Way too much dialog here, as well. Talk, talk, talk. I don't feel I got inside anyone's head here; I don't "know" East Germany from reading this; and I'm pretty bitter, actually, that The New Yorker published this. I've suspicious that's it's a case of what they call "the get" in the media. The got Franzen! They got Franzen! Franzen is no intellectual heavyweight here, too - his musings about time, eternity and the existential - wait, I feel like I'm 19 again myself! As the story is set in 1989, I'm suspicious that the story was written in 1989 or thereabouts, when Franzen was polishing his craft. If so, he should know better than to get published just for the sake of being published. The story reads like something you'd present at an MFA seminar in 1989 (thankfully the story is not trendy or arty, just mediocre and predictable). There's a reason all fiction submission to any magazine should be "blind" and this is a clear case of it.
Sayantan Ghosh –
Tragi-comic murder story seeped in old school romance, mended with narratives of modern history. Where else, but in a Jonathan Franzen excerpt.
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Leland William –
Excellent story. Published in New Yorker Fiction Issue.
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