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The Art and Technique of Digital Color Correction

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Interviews and observes 8 professional colorists as they grade a series of real world video images, describing the methods and techniques each artist uses to reach their finalized image. This title includes video images on a DVD that allows you to work lockstep with each artist as they grade their images.


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Interviews and observes 8 professional colorists as they grade a series of real world video images, describing the methods and techniques each artist uses to reach their finalized image. This title includes video images on a DVD that allows you to work lockstep with each artist as they grade their images.

30 review for The Art and Technique of Digital Color Correction

  1. 4 out of 5

    Alex Cook

    I'm currently studying Film Production at university and in my second year, I did the editing option, while getting a A3 for the first assignment I got a lower grade for the second assignment which hurt by overall grade for the unit. I really wanted to get better at editing and I'm going to do Advanced Editing for my final year option weighting at 20%. There was tons of (good) books on editing which took to task the theory and software functions/shortcuts etc but what I was missing was a guide t I'm currently studying Film Production at university and in my second year, I did the editing option, while getting a A3 for the first assignment I got a lower grade for the second assignment which hurt by overall grade for the unit. I really wanted to get better at editing and I'm going to do Advanced Editing for my final year option weighting at 20%. There was tons of (good) books on editing which took to task the theory and software functions/shortcuts etc but what I was missing was a guide to the 'personal' experience of actually cutting character, building scenes and creating an inticing experience. Art of the Cut was exactly what I needed! Not just editors from before but editors in the prime of their careers NOW! The book has many informative, fascinating and revealing insights about editing, including things which I already knew but helped understand better in a new context but also aspects of approaching cutting which I didnt even consider before and after reading the book with many a pen, highlighters and marking pages specifically, I fell 100% more confident going into AE.

  2. 5 out of 5

    Nina Staum

    I have very rarely felt so much as if a book was speaking directly to me. The idea of being able to look at the Avid bins of real Hollywood editors is like seeing the inside of a famous person's house. I loved the different perspectives and the true sense that there are many ways to work. Although many topics ran towards consensus, Hullfish doesn't flinch from putting contradictory methods and viewpoints right next to each other. It's a lot and best read in pieces. I've already loaned it out and I have very rarely felt so much as if a book was speaking directly to me. The idea of being able to look at the Avid bins of real Hollywood editors is like seeing the inside of a famous person's house. I loved the different perspectives and the true sense that there are many ways to work. Although many topics ran towards consensus, Hullfish doesn't flinch from putting contradictory methods and viewpoints right next to each other. It's a lot and best read in pieces. I've already loaned it out and am planning to go through it when I get it back to find inspiring quotes for my editing workshop.

  3. 5 out of 5

    Ivan Savić

    A good insight into the editing techinques of top end editors. It doesn't cover basic editing, like "cut on action", it is more oriented on general editing experience and workflow. The word that appears the most is FEEL. All of the editing is based on how you feel it shoud be, there are no rules to do it. A good insight into the editing techinques of top end editors. It doesn't cover basic editing, like "cut on action", it is more oriented on general editing experience and workflow. The word that appears the most is FEEL. All of the editing is based on how you feel it shoud be, there are no rules to do it.

  4. 5 out of 5

    Michał

    Editors are usually a quiet and out-of-the-spotlight bunch. Here you've got the most creative brains in the world engaging in a well-structured discussion about editing. Tons of wisdom and a joy to read. Editors are usually a quiet and out-of-the-spotlight bunch. Here you've got the most creative brains in the world engaging in a well-structured discussion about editing. Tons of wisdom and a joy to read.

  5. 5 out of 5

    Elizabeth Hickey

    Very helpful! Learned a lot.

  6. 5 out of 5

    Andy Page

    High gospel for aspiring editors and seasoned vets alike. I’m in the former category and highlighted so much of this book.

  7. 5 out of 5

    Collin Hotchkiss

    A great resource for editors looking to understand the others’ processes. Ironically, the way the interviews are edited together is distracting. Worth a read despite its flaws.

  8. 4 out of 5

    Mike Amelang

    Opened my eyes to a lot. Still haven't been through the case studies with individual colorists. Opened my eyes to a lot. Still haven't been through the case studies with individual colorists.

  9. 5 out of 5

    Jeff Mines

  10. 4 out of 5

    Panz

  11. 4 out of 5

    Ben

  12. 4 out of 5

    Satish Davara

  13. 5 out of 5

    Augie

  14. 4 out of 5

    McKenzie Beeby

  15. 4 out of 5

    Ben Allan

  16. 5 out of 5

    Middlethought

  17. 5 out of 5

    Paul Wolf

  18. 4 out of 5

    Andreas Jablonka

  19. 4 out of 5

    Jenna

  20. 4 out of 5

    Peder Morgenthaler

  21. 5 out of 5

    Aliyah Hannah Remoroza

  22. 5 out of 5

    Kent

  23. 4 out of 5

    Craig Walters

  24. 4 out of 5

    Xavier University Library

  25. 5 out of 5

    Cara Baxley

  26. 5 out of 5

    Erik J.

  27. 5 out of 5

    Arvind Vishwakarma

  28. 4 out of 5

    domasbalcgmail.com

  29. 5 out of 5

    Michael

  30. 5 out of 5

    Pedro

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