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In The Necropastoral: Poetry, Media, Occults, poet Joyelle McSweeney presents an ecopoetics and a theory of Art that reflect such biological principles as degradation, proliferation, contamination, and decay. In these ambitious, bustling essays, McSweeney resituates poetry as a medium amid media; hosts “strange meetings” of authors, texts, and artworks across the boundarie In The Necropastoral: Poetry, Media, Occults, poet Joyelle McSweeney presents an ecopoetics and a theory of Art that reflect such biological principles as degradation, proliferation, contamination, and decay. In these ambitious, bustling essays, McSweeney resituates poetry as a medium amid media; hosts “strange meetings” of authors, texts, and artworks across the boundaries of genre, period, and nation; and examines such epiphenomena as translation, anachronism, and violence. Through readings of artists as diverse as Wilfred Owen, Andy Warhol, Harryette Mullen, Roberto Bolaño, Aimé Césaire, and Georges Bataille, The Necropastoral shows by what strategies Art persists amid lethal conditions as a spectacular, uncanny force.


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In The Necropastoral: Poetry, Media, Occults, poet Joyelle McSweeney presents an ecopoetics and a theory of Art that reflect such biological principles as degradation, proliferation, contamination, and decay. In these ambitious, bustling essays, McSweeney resituates poetry as a medium amid media; hosts “strange meetings” of authors, texts, and artworks across the boundarie In The Necropastoral: Poetry, Media, Occults, poet Joyelle McSweeney presents an ecopoetics and a theory of Art that reflect such biological principles as degradation, proliferation, contamination, and decay. In these ambitious, bustling essays, McSweeney resituates poetry as a medium amid media; hosts “strange meetings” of authors, texts, and artworks across the boundaries of genre, period, and nation; and examines such epiphenomena as translation, anachronism, and violence. Through readings of artists as diverse as Wilfred Owen, Andy Warhol, Harryette Mullen, Roberto Bolaño, Aimé Césaire, and Georges Bataille, The Necropastoral shows by what strategies Art persists amid lethal conditions as a spectacular, uncanny force.

30 review for The Necropastoral: Poetry, Media, Occults

  1. 5 out of 5

    Ryan Bollenbach

    I enjoyed her essays tied to other artists in the first. I really enjoyed her more roaming essays towards the end, particularly "The 'Future' of 'Poetry'" sequence.

  2. 5 out of 5

    Jayme Russell

  3. 4 out of 5

    Renée

  4. 5 out of 5

    Lauren Freeman

  5. 4 out of 5

    Derek Fenner

  6. 5 out of 5

    Matt Reiser

  7. 4 out of 5

    Sologuboved

  8. 4 out of 5

    Knar

  9. 5 out of 5

    Katharine Ruegger

  10. 4 out of 5

    Ken Hunt

  11. 5 out of 5

    Aaron Apps

  12. 5 out of 5

    Ryan Patrick

  13. 5 out of 5

    Willa Goettling

  14. 5 out of 5

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    Roger Green

  16. 4 out of 5

    Leora

  17. 4 out of 5

    Brian

  18. 4 out of 5

    Daniel

  19. 4 out of 5

    Laura Theobald

  20. 4 out of 5

    Thomas

  21. 5 out of 5

    Tyler Crumrine

  22. 5 out of 5

    Scarlett

  23. 5 out of 5

    Drew

  24. 5 out of 5

    Alex Broadwell

  25. 5 out of 5

    Jen

  26. 4 out of 5

    Paul Cunningham

  27. 5 out of 5

    Dmshepherd

  28. 5 out of 5

    Mike Corrao

  29. 5 out of 5

    Gina

  30. 4 out of 5

    Caryl

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