Punk was born on the East Coast in the late 1960s, later crossing the Atlantic and exploding in London and Paris. This dynamic countermovement churned out heaps of professional magazines and photocopied, hand-stapled fanzines, all expressing ideas on music, art, and current events. By creating its own press, the punk movement secured its place in the history of 20th-centur Punk was born on the East Coast in the late 1960s, later crossing the Atlantic and exploding in London and Paris. This dynamic countermovement churned out heaps of professional magazines and photocopied, hand-stapled fanzines, all expressing ideas on music, art, and current events. By creating its own press, the punk movement secured its place in the history of 20th-century culture. Featuring collages, cutouts, and handcrafted typography, Punk Press compiles the stunning graphics created by these publications, spanning from the East Village to East London to the Left Bank. With unforgettable images of punk’s greatest bands—the Ramones, the Sex Pistols, the Clash, the Dead Kennedys, Iggy Pop, and more—this is a captivating look at some of music’s most fascinating personalities and greatest talents.
Punk Press: Rebel Rock in the Underground Press 1968-1980
Punk was born on the East Coast in the late 1960s, later crossing the Atlantic and exploding in London and Paris. This dynamic countermovement churned out heaps of professional magazines and photocopied, hand-stapled fanzines, all expressing ideas on music, art, and current events. By creating its own press, the punk movement secured its place in the history of 20th-centur Punk was born on the East Coast in the late 1960s, later crossing the Atlantic and exploding in London and Paris. This dynamic countermovement churned out heaps of professional magazines and photocopied, hand-stapled fanzines, all expressing ideas on music, art, and current events. By creating its own press, the punk movement secured its place in the history of 20th-century culture. Featuring collages, cutouts, and handcrafted typography, Punk Press compiles the stunning graphics created by these publications, spanning from the East Village to East London to the Left Bank. With unforgettable images of punk’s greatest bands—the Ramones, the Sex Pistols, the Clash, the Dead Kennedys, Iggy Pop, and more—this is a captivating look at some of music’s most fascinating personalities and greatest talents.
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Carolyn –
It's good, but Flipper's not in it. It's good, but Flipper's not in it.
Frederic –
Covers press from the US, UK, and France. There's a brief essay and discussion of the selections at the end, but less original information than I had expected. The same authors' Sex Press: The Sexual Revolution in the Underground Press, 1965-1975 is more interesting, although I suppose that depends on the individual. Covers press from the US, UK, and France. There's a brief essay and discussion of the selections at the end, but less original information than I had expected. The same authors' Sex Press: The Sexual Revolution in the Underground Press, 1965-1975 is more interesting, although I suppose that depends on the individual.
Larry-bob Roberts –
One of those books which seems mainly to focus on the design of the underground press rather than the content, focusing on covers and layouts.
Karin –
It would have been really exciting to be involved with the music at the ground level.
Mills College Library –
781.66 B528 2013
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