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Music as Mission: A History of Music in St. George's Episcopal Church

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"Music as Mission: A History of Music in St. George's Episcopal Church" tells the story of music in the sixty year life of the church in Nashville, Tennessee. The first chapter is an essay on the Anglican Church music tradition. The next three chapters--"Beginnings," "Fulfillment," and "Anticipation"--present a chronological historical narrative of Music Directors and choi "Music as Mission: A History of Music in St. George's Episcopal Church" tells the story of music in the sixty year life of the church in Nashville, Tennessee. The first chapter is an essay on the Anglican Church music tradition. The next three chapters--"Beginnings," "Fulfillment," and "Anticipation"--present a chronological historical narrative of Music Directors and choirs. The final chapter, "Organs and Bells," details the information about these instruments. The Appendicies contain financial information, transcribed interviews with recent Musical Directors, information about a Music Scholarship Fund, and details about future plans. There is a Foreword by the Rector, and Introduction and Afterword, and an Index of personal names.


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"Music as Mission: A History of Music in St. George's Episcopal Church" tells the story of music in the sixty year life of the church in Nashville, Tennessee. The first chapter is an essay on the Anglican Church music tradition. The next three chapters--"Beginnings," "Fulfillment," and "Anticipation"--present a chronological historical narrative of Music Directors and choi "Music as Mission: A History of Music in St. George's Episcopal Church" tells the story of music in the sixty year life of the church in Nashville, Tennessee. The first chapter is an essay on the Anglican Church music tradition. The next three chapters--"Beginnings," "Fulfillment," and "Anticipation"--present a chronological historical narrative of Music Directors and choirs. The final chapter, "Organs and Bells," details the information about these instruments. The Appendicies contain financial information, transcribed interviews with recent Musical Directors, information about a Music Scholarship Fund, and details about future plans. There is a Foreword by the Rector, and Introduction and Afterword, and an Index of personal names.

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