Scoring for film has changed dramatically over the past twenty years. With the advent of MIDI, sequencers and low-cost recording gear, just about any composer anywhere can score a film. Well-known composer Sonny Kompanek teaches this new film scoring process at prestigious New York University and now he shares his secrets within the pages of From Score to Screen. Learn abo Scoring for film has changed dramatically over the past twenty years. With the advent of MIDI, sequencers and low-cost recording gear, just about any composer anywhere can score a film. Well-known composer Sonny Kompanek teaches this new film scoring process at prestigious New York University and now he shares his secrets within the pages of From Score to Screen. Learn about the cast of professionals you'll work with as a film composer. Find out how to meet people in the business, network, and create a promotional demo. Learn how to compose themes and battle writers' block. Understand how to preview a score with the director and manage requested changes. And know how to make a director happy with your work. With this book, you'll gain practical knowledge that you can put into action immediately. SELLING POINTS: This is the only book that discusses the new film scoring process which utilizes the latest technology. Written by revered film composer, Sonny Kompanek. Ideal for any composer interested in film music, from beginner to advanced.
From Score to Screen: Sequencers, Scores & Second Thoughts-The New Film Scoring Process
Scoring for film has changed dramatically over the past twenty years. With the advent of MIDI, sequencers and low-cost recording gear, just about any composer anywhere can score a film. Well-known composer Sonny Kompanek teaches this new film scoring process at prestigious New York University and now he shares his secrets within the pages of From Score to Screen. Learn abo Scoring for film has changed dramatically over the past twenty years. With the advent of MIDI, sequencers and low-cost recording gear, just about any composer anywhere can score a film. Well-known composer Sonny Kompanek teaches this new film scoring process at prestigious New York University and now he shares his secrets within the pages of From Score to Screen. Learn about the cast of professionals you'll work with as a film composer. Find out how to meet people in the business, network, and create a promotional demo. Learn how to compose themes and battle writers' block. Understand how to preview a score with the director and manage requested changes. And know how to make a director happy with your work. With this book, you'll gain practical knowledge that you can put into action immediately. SELLING POINTS: This is the only book that discusses the new film scoring process which utilizes the latest technology. Written by revered film composer, Sonny Kompanek. Ideal for any composer interested in film music, from beginner to advanced.
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Lord –
Fine, a bit out of date, I didn’t read every last word as it repeats stuff I’d read in other books
Patricia –
3.5 stars Good intro to the overall field. Book goes over some of the basic processes involved in the film scoring industry (including the business side (i.e the players, the equipment, terminology, standards for scoring and formatting), very broadly touching on artistic elements, as well as intro into recording and post-edit procedures. What the book does NOT do: Go into any real depth into orchestration process (pretty obviously) nor does it go into any real depth into midi-sequencing (:/). Thi 3.5 stars Good intro to the overall field. Book goes over some of the basic processes involved in the film scoring industry (including the business side (i.e the players, the equipment, terminology, standards for scoring and formatting), very broadly touching on artistic elements, as well as intro into recording and post-edit procedures. What the book does NOT do: Go into any real depth into orchestration process (pretty obviously) nor does it go into any real depth into midi-sequencing (:/). This book assumes you already have the score. As Kompanek states in his intro- "This book is not a history of film scoring or a how-to book for creating a film score. Rather, the focus is on the many things you will have to do with your score after it exists, from changing it to please a director to recording it in the studio". So this book provides a solid primer on what one might encounter as a green composer.
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